I probably shouldn’t have been surprised that a book called My Hundred Lovers didn’t include spiritual love or love of God among its tributes. Most other loves were covered off: love of country, a child, a grandmother, same and opposite sex, love of wine, husband, gelato, love of hands, love of friends and more exotic
Geordie Williamson is on a rescue mission. For the past year he’s been fossicking in second-hand bookshops and library stacks, raiding friends’ bookshelves and trawling for hours on e-bay. He’s been searching for books by certain Australian authors — mainly 20th century writers he believes have been ignored, underestimated or discredited — with the aim
One reason I love Richard Ford’s writing is that every word is intentional but nothing seems forced. For example, take the name of his latest novel: Ford says it’s called Canada because that’s a place where the “pummelling” that comes from being American relents. “America beats on you so hard the whole time” — and
The Biggest Estate on Earth has won the $100,000 Victorian Prize for Literature. The Biggest Estate on Earth: How Aborigines Made Australia by Bill Gammage (Allen & Unwin) also won the Nettie Palmer Prize for Nonfiction and previously won the $80,000 Prime Minister’s Prize for Australian History and the history book award at this year’s
“I love it in books when time is unhooked from the clock — it’s one of the great things fiction can do.” These are the words of New Zealand author Emily Perkins from an interview about her latest book The Forrests with blogger Angela Meyer. The Forrests creates the sense of timelessness well: ranging across
I’ve read most of Sue Woolfe’s novels and non-fiction works and admired them. She researches thoroughly, expresses complex matters deftly and weaves stories that are worth taking the time to unravel. Sadly, The Oldest Song in the World, didn’t quite cut it for me. The writing was strained, the characters implausible and the story forced.
John Freeman has my dream job. As editor in chief of the well-regarded UK literary journal, Granta, he interviews seminal writers the world over about the nature of their work and their ideas. How to Read a Novelist, ipso facto, is a dream of a book. It’s a well-produced compendium of fine pieces about literary
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